Saturday, December 25, 2010

I'Estro Armonica: Héloïse Degruillier on recorder, Paul Cienniwa on harpsichord

This is a pitifully late review of a concert I went to last April that was just exquisite.

Héloïse and Paul were charming, polished, musically profound and technically brilliant. I took a few photos of them that came out better than I expected. Sadly I have since lost the program which listed the pieces they played, and too much has happened in the interim, but my attention was riveted by the entire performance, which tells me they performed technically difficult as well as musically satisfying pieces. I am not a snob but I do get bored. :-)

I am so thrilled to have music of this caliber available in this area, so I wanted to mention this concert series because it deserves support in the local community to keep it alive, not to mention you get to hear some fantastic performers without schlepping into Boston.

For more information on this concert series:

http://www.uuharvard.org/CongregationalLife/SpecialEvents/Concerts.aspx


Announcement for the concert

Sunday, April 11, 2010 at 4 p.m.

I'Estro Armonica:
Héloïse Degruillier on recorder
Paul Cienniwa on harpsichord

Héloïse and Paul have been performing together in the Boston and Newport areas since 2007. Their 2009 concert for the Boston Early Music festival won them praise in the American Recorder Society and the classical music blog Soho the Dog.

Héloïse has worked extensively as both a recorder performer and teacher throughout Europe and the United States. She has performed with leading period ensembles, including the Boston Early Music Festival Opera, Newport Baroque, Harmonious Blacksmith, the Dunya Ensemble and L’Academic. She teaches with the Boston Recorder society, Recorder Guild of New York, Pinewoods and others. She has a Masters in Music from the Utrecht Conservatory in the Netherlands, and is an Alexander Technique graduate.

Paul has recently performed at St. Thomas Church Fifth Avenue, Yale University, Harvard University, MIT, the Kingston Chamber Music festival, and in Chicago. He was hailed by critics for his performance and direction of Handel’s Alcina for the Boston Opera Collaborative. His undergraduate work was done at DePaul University, and he received the doctor of Musical Arts degree from Yale University. His musicological articles have appeared in American and European journals, including Early Music and Ad Parnassum. Read more about Paul at www.paulcienniwa.blogspot.com.


For more information on this concert series:

http://www.uuharvard.org/CongregationalLife/SpecialEvents/Concerts.aspx

1 comment:

  1. Thank you for this great review! Here's the program:

    PROGRAM

    Partita, d minor, BWV 997 Johann Sebastian Bach (1685-1750)
    Preludio
    Fuga
    Sarabanda
    Giga
    Double

    Sonata, b minor (Continuation des Sonates methodiques, #1), TWV 41:h 3 Georg Philipp Telemann (1681-1767)
    Siciliana
    Allegro
    Dolce
    Grave
    Vivace
    Presto

    Sonata, C Major, BWV 1032 Bach
    Vivace
    Largo e dolce
    Allegro

    INTERMISSION

    Sonata, f minor (Der getreue Music-Meister, #36), TWV 41:f 1 Telemann
    Adagio
    Allegro
    Andante
    Vivace

    Three Sonatas, D Major, K. 490-492 Domenico Scarlatti (1685-1757)

    Sonata, b minor, BWV 1032 Bach
    Andante
    Largo e dolce
    Presto
    Allegro

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